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Charlie Hardie posted in WillesdenFolk .
Charlie Hardie 12 August at 21:14 Two evenings of
improvisation and ruins, care of International Sand, an exemplar of
Willesden Folk. Jam Money, house band of London label and ongoing tape
exhibition Spillage Fete were created as an improvised dialectic between
Mat Fowler (Bons) and Kevin Cormack (Half Cousin, Harry Deerness). Their
songs exist like contagious assemblages - wayward and peaceful, whirring
into life. A shared aural and visual aesthetic is elaborated through
collaboration with visual artist Aimee Henderson. National Bedtime is the
latest and most personal vision from Glasgow based artist Tony Swain and
friends. Swain mobilises his visual aesthetic layering samples like
spectral fragments to invoke the texture and scent of another place and
time: a recalled narrative from an imaginary backing band that is yet to
exist. The performances are linked by multi-instrumentalist Martin Slattery
(The Hours, The Mescaleros) who plays in both. https://vimeo.com/130514103
https://soundcloud.com/spillagefeterecords/jam-money-noble-spruce https://soundcloud.com/user-512929312/national-bedtime-avalanches
https://soundcloud.com/user-512929312/national-bedtime-new-orleans
http://aimeehenderson.com/2016 Entrance details coming soon... Two evenings
of improvisation and ruins, care of International Sand, an exemplar of
Willesden Folk. ... Like Comment
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Charlie
Hardie posted in WillesdenFolk.
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Two
evenings of improvisation and ruins, care of International Sand, an
exemplar of Willesden Folk.
Jam Money, house band of London label and ongoing tape exhibition
Spillage Fete were created as an improvised dialectic between Mat
Fowler (Bons) and Kevin Cormack (Half Cousin, Harry Deerness).
Their songs exist like contagious assemblages - wayward and peaceful,
whirring into life. A shared aural and visual aesthetic is
elaborated through collaboration with visual artist Aimee
Henderson. National Bedtime is the latest and most personal vision
from Glasgow based artist Tony Swain and friends. Swain mobilises
his visual aesthetic layering samples like spectral fragments to
invoke the texture and scent of another place and time: a recalled
narrative from an imaginary backing band that is yet to exist. The
performances are linked by multi-instrumentalist Martin Slattery
(The Hours, The Mescaleros) who plays in both.
https://vimeo.com/130514103
https://soundcloud.com/spillagefeterecords/jam-money-noble-spruce
https://soundcloud.com/user-512929312/national-bedtime-avalanches
https://soundcloud.com/user-512929312/national-bedtime-new-orleans
http://aimeehenderson.com/2016
Entrance details coming soon...
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Two
evenings of improvisation and ruins, care of International
Sand, an exemplar of Willesden Folk.
...
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